Interview by Tanya Levy (MGBH)
When I found Oleg’s (MGBH) performance videos on such shows as Ukraine’s Got Talent, The Minute of Fame, and Britain’s Got Talent, I experienced mixed feelings. The intellectual classical snob in me wanted to say, “Oh, no!”, but in my heart I truly rejoiced as I watched his performances. I also thought to myself, especially after the comment of one of the judges who criticized him so harshly at The Minute of Fame, “Here we are, whispering in dark corners about the demise of classical music and how a young generation is not so interested in it so much as the older generations used to be, and here he is – this young, brilliant, creative musician who is offering at least a partial solution to this problem, and we are throwing stones at him. A little hypocritical…” All these thoughts inspired me to learn more about this pianist.
Piano Performer Magazine (PPM): Dear Oleg, at some point, trying to do what you did you experienced criticism from the classical piano watch dogs. They just didn’t understand what motivated you. And I am sure, some people are still raising their eyebrows and wrinkling their foreheads. Is it hard to be different?
Oleg Pereverzev (OP): With my performances I wanted to show that music can also transfer information that can feed your heart and soul. I didn’t just want to come out on stage and play the well-known compositions of Chopin and Bach. There are many people doing this already. I wanted to create an exciting show where the audience could feel my soul. I wanted to affect the hearts of people not only through music, but also through special effects. And I think I was able to achieve it. I receive letters from many people around the world – some of them started listening to classical music, others started improvising. The process of communicating with my audience and connecting to it is very important to me. I constantly work on it.
I didn’t just want to come out on stage and play the well-known compositions of Chopin and Bach. I wanted to create a show….
PPM: Please, tell us about your family. Who created an environment for you to study piano?
OP: My mother was a doctor, and my father was in the military. I have a sister, who became a doctor just like our mother. Everyone in our family loves music, but no one, except for me has formal music education. It was my mother who instilled love for classical music in me. She would always buy music magazines and vinyl records. Thus, I would always hear the sounds of classical piano in our house as I was growing up. Once, when I was six, I attended a concert of the legendary Svyatoslav Richter (OBM). I remember the dark music hall, complete silence, and then… music…. As a child, it made an indelible impression on me.
PPM: Please, tell us about your classical piano background.
OP: I went through all the stages of formal classical music training: seven years of music school, four years of music college, five years at the Kazakh National Conservatory , and two years of post graduate training. Then I had my apprenticeship at the School of Music and Theater in Hannover, Germany with a piano duo “Genova and Dimitrov.” (MGBT)
I loved going to music school. I would come up with all kinds of stories to skip classes in my regular day school to practice piano every chance I got.
PPM: What was it like for you to be a piano student in a music school of a post-Soviet space?
OP: Those were still Soviet times – 1986 through 1993. I loved going to music school. I would come up with all kinds of stories to skip classes in my regular day school to practice piano every chance I got.
PPM: How did you get an idea for your first creative performance?
OP: Do you mean the video where I play two pianos at the same time? Here is the story. I created a YouTube Channel, and to attract the attention of the audience, I started thinking of what I could do that no one else had done before. That’s why I had to find a cat, had to drink coffee, and, finally, to play the most technically challenging piece “The Flight of the Bumble Bee” in Rachmaninoff’s (OBM) arrangement. And the video became tremendously popular. That year – 2011- it got 460,000 views.
PPM: Please, tell us about that moment when you looked at your piano and decided – let me try to play backwards and see what happens.
OP: After the “Flight of the Bumble Bee” video I had to come up with something new. And that was the video where I play piano backwards. It was very challenging. Both my arms and my back hurt. It was very uncomfortable, but I managed to accomplish it. Two weeks later I recorded the video where I played an excerpt from the 2nd Hungarian Rhapsody by Franz Liszt (OBM).
PPM: In one of your videos you play “Fur Elise” backwards – starting from the end and ending at the beginning, which turned out pretty good, by the way. How and why did you get the idea to do that?
OP: There is a joke where a student brought his own composition to an exam in a conservatory. When the student was asked whose composition it was, he answered, “I just copied the composition of my teacher backwards. That’s it.” When I was thinking of my next video, I thought of this joke, and it inspired me to take Beethoven’s “Fur Elise” and play it backwards.
PPM: You did a commercial for BeeLine, a Russian cell phone company. Is it hard playing piano in the air? What was your experience like filming it?
OP: We actually shot two versions. The second one, where I am in the air, turned out to be more successful and more visually appealing. It was very scary to play piano in the air. Since I didn’t have aerial training, I kept thinking, “Oh, no. Something’s gonna happen now.” So – yes – I was very frightened.
PPM: What is your dream as a musician and an artist?
OP: I wish that all people had an opportunity to be exposed to beautiful, high quality music. Today there is a lot of bad music out there, and, somehow, people allow themselves to be exposed to it. Of course, everyone has their own opinion and their own taste. However, in general, there is a lot of garbage.
Every aspect of a pianist’s work is a big job: working on your spirituality, developing business relations, giving performances.
PPM: Is it hard to earn a living as a pianist living where you are?
OP: It’s hard to make money no matter which profession you choose. I doubt that all pianists lead a luxury lifestyle. Every aspect of a pianist’s work is a big job: working on your spirituality, developing business relations, giving performances. Writing your own compositions also takes an enormous amount of effort. There is a lot to accomplish. That is why it is very hard for an artist to focus on making money. A good example would be Rachmaninoff as a pianist. While he made money as a pianist, but didn’t compose anything.
PPM: Are you planning to tour some time in the future?
OP: In the near future, I definitely plan to do tours. For now, I try to perform at least once a week.
PPM: Please, tell us about your CD albums.
OP: My first album is called “Classics For All.” In this album, I play the most famous pieces of Bach (OBM), Mozart (OBM), Beethoven (OBM), Schumann (OBM), Schubert (OBM), Chopin (OBM), and Liszt, to name a few. There are 21 tracks in the album.
My second album called “Dudarai” is dedicated to Kazakhstan, where I was born, grew up, and received my education. Here I play Kazakh folk songs in my own arrangements as well as five of my original compositions.
My third album is still in my head. That’s what I am working on at the moment.
PPM: Besides being a pianist, you are also a composer. Please, tell us more about writing your own music. What is the process like for you?
OP: When I was a student at the conservatory, I got familiar with the music of contemporary composers. They would ask me to play their music. And I was very interested in it. I started composing my own music back when I was a child, but then I stopped. At the conservatory, I felt inspired to start composing again. I would compose in the style of Chopin (OBM) and Rachmaninoff. Today I compose in a neo-classical style. One of my musical inspirations was Yiruma (MGBH), a Korean pianist and composer.
PPM: Do you have a family of your own or is music taking all of your energy right now?
OP: I don’t have my own family yet, but I have my sister and my father, who both live Russia.
PPM: Who are some of your favorite composers – classical and contemporary?
OP: Oh, the list is quite long. Every composer that I studied affected me in his own way. Today I can listen to Shostakovich (OBM), tomorrow – to Badalamenti (OBM), and the next day – Morricone (MGBH). I listen to a lot of music and love almost all composers. I am not talking about avante garde here – this is absolutely not for me.
PPM: What made you choose a career of a professional pianist?
OP: It’s a hard question. When I was thirteen, my father asked me – what are you going to do next? I answered him, “I will continue my piano studies.” And that’s how it went.
PPM: Where do you live and how often and where do you travel?
OP: I live in Alma Ati, Kazakhstan. I like it here very much out here – the nature is beautiful, the city is small. Recently, I had a chance to live in Los Angeles, CA and see what life like is out there. It was a very interesting experience. I try to travel as much as I can. In the past, I have also visited Turkey, China, Germany, and Holland.
PPM: Has a music piece ever made you cry? If so, which one?
OP: Music is a reflection of feelings. One can start crying hearing Beethoven’s (OBM) Moonlight Sonata, for example. It’s about what it’s in your heart. And if the music touches your heart, it will make you cry. I enjoy music videos. If the visual component matches the music – it’s genius.
Today’s time is characterized by demise in many spheres of society – music, economy, politics … And, certainly, it is not a good thing. However, the cycles are such that there will always be a peak and demise. And it is through these cycles that humanity evolves.
PPM: Why do you think young people are not so interested in classical music as the older generations?
OP: In my opinion, music was at its peak in the 19th and 20th century. Today’s time is characterized by demise in many spheres of society – music, economy, politics … And, certainly, it is not a good thing. However, the cycles are such that there will always be a peak and demise. And it is through these cycles that humanity evolves.
PPM: Where do you draw your inspiration from?
OP: … from nature walks, travelling…. For a musician it is very important to travel. Sometimes it happens that a melody comes to me in my dream. I try to remember it and write it down afterwards.
PPM: Are you planning to perform in the US in the near future?
OP: Once I performed in Glendale, CA where I played my music as well as the music of other composers in my original arrangements. I would definitely love to perform in many different cities and music halls. I very much enjoy doing it and am open to invitations.
PPM: Tell us, please, about the piano duo “Vivat.”
OP: My friend and I decided to form a piano duo. We started working and sent an application to the Taneyev (OBM) Chamber Music Competition in Moscow. We got accepted and won 3rd prize among the piano duos. This competition was very important to us – we worked very hard and, as a result, reaped the fruits of our labor. During the same competition, one of my compositions “Kazakh Rhapsody” was awarded a Tchaikovsky prize. My friend and I performed together a lot. I created many piano arrangements for our duo.
PPM: Do you have an agent or a manager?
OP: I have an administrator, who helps me handle all my performances.
PPM: What is your favorite Kazakh food?
OP: I love pilaf. There is a folk saying: How many kinds of pilaf are there? As many as there are towns in the Middle East.
PPM: What’s your plan for the next 5 years?
OP: To find new ways in wowing my audience.
PPM: Thank you, Oleg. We are looking forward to be wowed!
OP: My pleasure.
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