Votre âme est un paysage choisi Que vont charmant masques et bergamasques Jouant du luth et dansant et quasi Tristes sous leurs déguisements fantasques.
Tout en chantant sur le mode mineur L’amour vainqueur et la vie opportune, Ils n’ont pas l’air de croire à leur bonheur Et leur chanson se mêle au clair de lune.
Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d’extase les jets d’eau, Les grands jets d’eau sveltes parmi les marbres.
– Clair De Lune by Paul Verlaine (OBM)
Clair de Lune in D♭ major, the third movement of a larger work known as Suite Bergamasque by the famous pianist and composer of the Era of Impressionism Claude Debussy (OBM), has been captivating the senses of audiences for over a hundred years. Its name comes from Verlaine‘s (OBM) poem Clair de lune, “moonlight” in French. In this section, we present the seven pianists performing this piece, each through their own interpretation. Which one appeals to you the most? Please, share your comments and thoughts below.
Performance by Seong-Jin Cho (MGBH), a winner of 2015 Chopin Competition:
Let martial note in triumph float And liberty extend its mighty hand; A flag appears ‘mid thunderous cheers, The banner of the Western land. The emblem of the brave and true. Its folds protect no tyrant crew; The red and white and starry blue Is freedom’s shield and hope.
– P. Sousa (OBM), 1896.
Please, consider donating a small amount to the author to express your appreciation.
The famous Stars and Stripes March was written by Philip Sousa (OBM) in 1896 for the Unites States Marine Band. In his autobiography, “Marching Along”, Sousa wrote that he composed the March on Christmas Day 1896. He was on an ocean liner on his way home from a vacation with his wife in Europe and had just learned that David Blakely (OBM), the manager of the Sousa Band, had passed away. He composed the march in his head and committed the notes to paper on arrival in the United States. (1)
Symbolic of flag-waving in general, it has been used with considerable effectiveness to generate patriotic feeling ever since its introduction in Philadelphia on May 14, 1897, when the staid Public Ledger reported: “It is stirring enough to rouse the American eagle from his crag, and set him to shriek exultantly while he hurls his arrows at the aurora borealis.” (2) Since then, the Stars and Stripes have been played times and times over by bands not only in America, but also in Europe and Asia.
The March has become so popular, that it got the attention of the piano community after Vladimir Horowotz (OBM) made a piano arrangement of this music piece to celebrate his becoming an American citizen. His arrangement grew legs and has become part of the repertoire for many pianists. Each one of them added their own personality to this arrangement.
In this section, we present eight different performance of this piece by various pianists. Please, leave a comment below with your thoughts: how does each pianist contribute his own tone to it? Which one appealed to you the most? And remember the old saying: if you have nothing good to say, say nothing at all.
We hope you enjoy this uplifting and inspiring march!
Happy Holidays! 🙂
1. Performance by a Georgian pianist Giorgi Latsabidze (MGBH):
2. Performance by an American pianist David Pasbrig (MGBH):
3. Original performance by Vladimir Horowitz (OBM):
4. Performance by a Russian pianist Valery Kuleshov (MGBH):
5. Performance by an American pianist Ian Gindes (MGBH) – from his most recent album “American Visions”:
6. An eight-piano arrangement performance by Leif Ove Andsnes (MGBH), Nicolas Angelich (MGBH), Emanuel Ax (MGBH), Evgeny Kissin (MGBH), Lang Lang (MGBH), James Levine (MGBH), Mikhail Pletnev (MGBH), and Staffan Scheja (MGBH):
7. Performance by a Chinese pianist Lang Lang (MGBH):
8. Performance by an American pianist Claire Huangci (MGBH):